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<最優秀賞論文>Mother/Girl-母なる少女 : 『美少女戦士セーラームーン』にみる通過儀礼
https://doi.org/10.18878/00002226
https://doi.org/10.18878/000022268b59f9d8-8364-422f-acdf-de9f14c92bc7
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00007693379.pdf (1.2 MB)
|
神戸女学院大学
女性学インスティチュート |
| Item type | 紀要論文(ELS) / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2000-03-31 | |||||
| タイトル | ||||||
| タイトル | <最優秀賞論文>Mother/Girl-母なる少女 : 『美少女戦士セーラームーン』にみる通過儀礼 | |||||
| タイトル | ||||||
| タイトル | Firsst Prize Essay Mother/Girl : Initiation in Sailor Moon | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.18878/00002226 | |||||
| ID登録タイプ | JaLC | |||||
| ページ属性 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | P(論文) | |||||
| 記事種別(日) | ||||||
| 値 | 最優秀賞論文 | |||||
| 記事種別(英) | ||||||
| 言語 | en | |||||
| 値 | First Prize Essay | |||||
| 論文名よみ | ||||||
| その他のタイトル | サイユウシュウ ロンブン Mother Girl ハハナル ショウジョ ビショウジョ センシ セーラームーン ニ ミル ツウカ ギレイ | |||||
| 著者名(日） |
古田, 明子
× 古田, 明子 |
|||||
| 著者名(英) |
FURUTA, Akiko
× FURUTA, Akiko |
|||||
| 著者所属（日） | ||||||
| 値 | 神戸女学院大学大学院 | |||||
| 著者所属(英) | ||||||
| 言語 | en | |||||
| 値 | Graduate Student of Kobe College | |||||
| 要旨（英） | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | The TV animation Sailor Moon,broadcast from 1992 to 1997,won an unusual popularity among the young female audience in Japan at that time. This study is an attempt to clarify an implicit message theanimation conveys to the audience under the disguise of a childish story of love, peace and justice by examining the underlying structure each episode of the animation has. A TV animation which repeats practically the same story every week is a very effective cultural apparatus but hasbeen seldom studied in detail. Each episode generally follows the pattern of a typical initiation story: the heroine undergoes a process of maturity through the experienceof symbolic death and rebirth. But the story at the same time cleverly escapes from such an interpretation. What is characteristic with the story is that the initiation process is definitely related to consumer behavior: endless pursuit of commercial goods. And in this sense the heroine never accomplishes the initiation and this incompleteness or failure in initiation indeed places Sailor Moon in a unique position in the lineage of popularlegends. We see many other examples of such incompleteness. The heroine's metamorphosis itself betrays this. For what she puts on after taking off her girlish clothes is, unlike a traditional heroine, a "sailor suit", the symbol of eternal girlishness which accompanies an implication of commercialized sexuality. In the last episode,the heroine discloses her naked body of a matured woman before she becomes the savior of the world. Seemingly she finally attains motherhood and succeeds in showing a role model to the young audience but only to turn out to be a false one. Forher final purpose remains to be to reproduce her duplicates: ideal consumersof the consumption society. It is at that moment that a "Girl" throws off the mask of "Lovely One" and exposes her true face of"Woman". | |||||
| 雑誌書誌ID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10066294 | |||||
| 書誌情報 |
女性学評論 en : Women's studies forum 巻 14, p. 201-224, 発行日 2000-03-31 |
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