@article{oai:kobe-c.repo.nii.ac.jp:00001786,
 author = {田島, 孝一 and TAJIMA, Kouichi},
 issue = {3},
 journal = {神戸女学院大学論集, KOBE COLLEGE STUDIES},
 month = {Mar},
 note = {P(論文), This paper is the first introduction of my original piano method "Finger-walking Method". The particularity of this method is the way to practice by 3 elements, "Faculty of Hearing" "Sight" and "Sense of Touch". The most important one of them is "Faculty of Hearing". It produces beautiful, soft and well-sounded tone. But these 3 elements must be actively used in connection with each other by one's calm and clear sense. In order to play under this dreamy condition, all of one's 10 fingers must hold the weight of tow hands. Beata Ziegler (1954) also represented the importance of these 3 keywords for play, "Weight", "Support", and "Removal of the Weight". I found through these 3 keywords, there is a similarity between the laws of motion and this. So I suggested moving fingers for play, as if "walk by fingers" on each keyboard. And named this idea "Finger-walking Method". I'm sure this method can save a plenty of poor students who resign to play the piano with enjoy. On the first part of this paper, I proposed the importance about "Mellow Sound" in the first chapter.},
 pages = {35--48},
 title = {Finger-walking Methodの基本理念とその学習法(I) : 精神物理学・力学的視点に基づいて},
 volume = {52},
 year = {2006},
 yomi = {タジマ, コウイチ}
}