@article{oai:kobe-c.repo.nii.ac.jp:00001875,
 author = {田島, 孝一 and TAJIMA, Kouichi},
 issue = {2},
 journal = {神戸女学院大学論集, KOBE COLLEGE STUDIES},
 month = {Jan},
 note = {P(論文), The 3rd part is how to do exercises on this method. A beautiful piano tone is produced by 2 elements. One is one's delicacy of hearing for beautiful sounds. Another one is rational using of one's body. The first exercise to educate one's ears sense is done according to the theory by Beata Ziegler. Next exercise is taking out one's useless contractions of muscles. The 3^<rd> one is making a "support" by the 3^<rd> (MP) joint. On the 1^<st> step in this method, it must be trained as the main actor for support the "weight" of hand and arm. The 4^<th> one is how to walk by fingers. It must be done by using the "support" for the "weight", as if it is the waist of a man. One the next, "remove" the "weight" to next position by the finger. After the contact to next keyboard by next finger, the "weight" must be support by this finger's "support". This process is done in very slowly and with legato at the begging, as if a man carries his leg for making one step.},
 pages = {119--138},
 title = {Finger-walking Methodの基本理念とその学習法(III) : 物理学・力学的視点に基いたピアノ奏法},
 volume = {54},
 year = {2008},
 yomi = {タジマ, コウイチ}
}