{"created":"2023-06-19T10:53:52.670664+00:00","id":2021,"links":{},"metadata":{"_buckets":{"deposit":"5a23230e-1a46-4e06-ba58-215c93bdc170"},"_deposit":{"created_by":3,"id":"2021","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"2021"},"status":"published"},"_oai":{"id":"oai:kobe-c.repo.nii.ac.jp:00002021","sets":["40:266:268"]},"author_link":["3971"],"item_2_alternative_title_5":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_alternative_title":"G.M.ホプキンズノソネットニオケルタイリツノトウゴウ"}]},"item_2_biblio_info_14":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2012-12-20","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"2","bibliographicPageEnd":"158","bibliographicPageStart":"147","bibliographicVolumeNumber":"59","bibliographic_titles":[{"bibliographic_title":"神戸女学院大学論集"},{"bibliographic_title":"KOBE COLLEGE STUDIES","bibliographic_titleLang":"en"}]}]},"item_2_creator_6":{"attribute_name":"著者名(日)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"田邊, 久美子"},{"creatorName":"タナベ, クミコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"3971","nameIdentifierScheme":"WEKO"}]}]},"item_2_creator_8":{"attribute_name":"著者名(英)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"TANABE, Kumiko","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"3971","nameIdentifierScheme":"WEKO"}]}]},"item_2_description_1":{"attribute_name":"ページ属性","attribute_value_mlt":[{"subitem_description":"P(論文)","subitem_description_type":"Other"}]},"item_2_description_11":{"attribute_name":"要旨（日）","attribute_value_mlt":[{"subitem_description":"This article discusses the theme of the unity of opposites in content and form seen in the sonnets of Gerard Manley Hopkins. It focuses on the three phases of his sonnets: the Bright Sonnets (1877), the Dark Sonnets (1885), and a sonnet written after the Dark Sonnets. In the Bright Sonnets, \"God's Grandeur\" expresses praise for God. Sound patterns connect different senses. The tone of the first quatrain is luminous and expresses praise for God, but the tone changes. In the octave, the world charged with the grandeur of God and the one damaged by men show contrasts. In \"The Windhover: To Christ our Lord\" the poet is inspired by the attitude of \"Falcon\" as \"the Windhover.\" It also symbolizes Christ as the title shows. Hopkins' enthusiasm as a poet in the octave and  his calmness to control it as a priest in the sestet are barely balanced. The bird is described as  \"dapple-dawn -dawn Falcon.\" Three words are connected by alliteration, and  \"dapple\" symbolizes God who unites all creatures into the whole. Dapple is clearly expressed in \"Pied Beauty\" and manifests the ideal world for Hopkins. The sestet shows the  beauty of dappled things, and the quatrain unites them. Though the sonnet has unity in itself, it deviates from normal sonnet form and is written as a \"curtal sonnet.\" Hopkins more often experiments with sonnet from in the Dark Sonnets and the sonnets afterwards. Contrary to the Bright Sonnets, the Dark Sonnets describes the world without the control of God. Darkness is a trait of  the Dark Sonnets, where man's self is detached from God. After the Dark Sonnets, Hopkins wrote a sonnet called \"That Nature is a Heraclitean Fire and of the comfort of the Resurrection\" (1888). In this sonnet, man's self becomes immortal to be united with Christ.","subitem_description_type":"Other"}]},"item_2_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.18878/00001982","subitem_identifier_reg_type":"JaLC"}]},"item_2_source_id_13":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AN00085725","subitem_source_identifier_type":"NCID"}]},"item_2_text_9":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_value":"神戸女学院大学文学部英文学科非常勤"}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2012-12-01"}],"displaytype":"detail","filename":"KJ00008224919.pdf","filesize":[{"value":"855.5 kB"}],"format":"application/pdf","license_note":"神戸女学院大学研究所","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KJ00008224919","url":"https://kobe-c.repo.nii.ac.jp/record/2021/files/KJ00008224919.pdf"},"version_id":"2b5e5bd1-7fce-4195-b1a8-dedcad054964"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"統合","subitem_subject_scheme":"Other"},{"subitem_subject":"反対","subitem_subject_scheme":"Other"},{"subitem_subject":"ソネット","subitem_subject_scheme":"Other"},{"subitem_subject":"G.M.ホプキンズ","subitem_subject_scheme":"Other"},{"subitem_subject":"Unity","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"opposites","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"sonnets","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"G.M.Hopkins","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"G.M.ホプキンズのソネットにおける対立の統合","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"G.M.ホプキンズのソネットにおける対立の統合"},{"subitem_title":"The Unity of Opposites in the Sonnets of G.M. Hopkins","subitem_title_language":"en"}]},"item_type_id":"2","owner":"3","path":["268"],"pubdate":{"attribute_name":"公開日","attribute_value":"2012-12-01"},"publish_date":"2012-12-01","publish_status":"0","recid":"2021","relation_version_is_last":true,"title":["G.M.ホプキンズのソネットにおける対立の統合"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-06-19T11:30:25.812814+00:00"}