@article{oai:kobe-c.repo.nii.ac.jp:00002025, author = {藏中, さやか and KURANAKA, Sayaka}, issue = {2}, journal = {神戸女学院大学論集, KOBE COLLEGE STUDIES}, month = {Dec}, note = {P(論文), I have clarified the Waka historic values in a new document, Tona's Hinami-kasyu, by describing its whole manuscript in a transciption of Tona's Hinami-kasyu (the first half year of 1346) , owned by Yomei Bunko (Kobe College Studies Vol.59 No.1 2012) , and by introducing the contents and composition in an examination of Tona's Hinami-kasyu (the first half year of 1346) owned by Yomei Bunko (Waka-bungaku-kennkyu Vol.105 2012). Based on those articles, in this study, I mainly investigated what changes Tona made for the Waka part when he edited his own Waka for Souan- shu and Zoku-souan-shu. Notably, Tona edited those works from Tona's Hinami-kasyu, in which he temporarily collected his work. After perceiving the whole common Waka, I indicated the points where Tona himself made changes, and then discussed the expression effects.}, pages = {1--14}, title = {頓阿、その和歌表現の精選 -日次家集から草庵集・続草庵集へ-}, volume = {59}, year = {2012}, yomi = {クラナカ, サヤカ} }