{"created":"2023-06-19T10:53:54.605813+00:00","id":2054,"links":{},"metadata":{"_buckets":{"deposit":"51596ecb-579d-4e65-b19c-173800ef4a22"},"_deposit":{"created_by":3,"id":"2054","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"2054"},"status":"published"},"_oai":{"id":"oai:kobe-c.repo.nii.ac.jp:00002054","sets":["40:269:271"]},"author_link":["5796"],"item_2_alternative_title_5":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_alternative_title":"ミヤザキハヤオノアニメエイガハメディア・グローバリゼーションノナミニノッテイルノカ"}]},"item_2_biblio_info_14":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2013-12-20","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"2","bibliographicPageEnd":"157","bibliographicPageStart":"147","bibliographicVolumeNumber":"60","bibliographic_titles":[{"bibliographic_title":"神戸女学院大学論集"},{"bibliographic_title":"KOBE COLLEGE STUDIES","bibliographic_titleLang":"en"}]}]},"item_2_creator_6":{"attribute_name":"著者名(日)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"吉田, 純子"},{"creatorName":"ヨシダ, ジュンコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"5796","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"1000030253024","nameIdentifierScheme":"CiNii ID","nameIdentifierURI":"http://ci.nii.ac.jp/nrid/1000030253024"},{"nameIdentifier":"30253024","nameIdentifierScheme":"KAKEN-研究者検索","nameIdentifierURI":"https://nrid.nii.ac.jp/ja/nrid/1000030253024/"}]}]},"item_2_creator_8":{"attribute_name":"著者名(英)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Yoshida, Junko","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"5796","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"1000030253024","nameIdentifierScheme":"CiNii ID","nameIdentifierURI":"http://ci.nii.ac.jp/nrid/1000030253024"},{"nameIdentifier":"30253024","nameIdentifierScheme":"KAKEN-研究者検索","nameIdentifierURI":"https://nrid.nii.ac.jp/ja/nrid/1000030253024/"}]}]},"item_2_description_1":{"attribute_name":"ページ属性","attribute_value_mlt":[{"subitem_description":"P(論文)","subitem_description_type":"Other"}]},"item_2_description_11":{"attribute_name":"要旨（日）","attribute_value_mlt":[{"subitem_description":"宮崎駿のアニメ・フィルムは、『千と千尋の神隠し』（2002）で金熊賞（2002）やアカデミー賞（2003）を受賞して以来、グローバルに観客の心を捉えてきた。批評家大塚英二は、『もののけ姫』（1997）をジョセフ・キャンベルの標準化された英雄の旅（原質神話）の枠内で論じて、この作品がウォルト・ディズニー・カンパニーとの提携によって、メディア・グローバリゼーションの波に乗ったと主張する。それは宮崎が「スターウォーズ / キャンベル」タイプの英雄の神話的冒険の基本パターン（離別・イニシエーション・帰還)に従って物語構造を変えてしまったからであると言う。しかし、『もののけ姫』には、物語構造にいくつかの変型があり、母性的要素が充満していることはその一つである。文化人類学者メアリー・ダグラスは、身体を社会の象徴と見ながら、「社会構造に内在すると信じられている能力や危険が凝縮して人間の肉体に再現されている」と述べている。本稿は、宮崎の『もののけ姫』『千と千尋の神隠し』『崖の上のポニョ』（2008）での豊かな身体的表象に注目し、多様な身体とそれらを養い、再生させる母胎のような容れものが、いかに社会的関係を象徴的に表しているかを検証する。注目すべきは、宮崎作品が様々な既存テクストーフランスの文芸おとぎ話「美女と野獣」、アーシュラ・K・ル＝グィンの「ゲド戦記」、クリスチャン・アンデルセンの「人魚姫」「雪の女王」、そして日本の民話「安珍と清姫」などーと間テクスト性をもつことである。また、宮崎の作品は、日本の観衆にノスタルジーを喚起する馴染み深い日本的な場所に設定されている。ディズニー配給による宮崎作品のグローバル的流通は、商品売り上げの増大だけが目的なのだろうか。本稿は、ポストコロニアル視点からこの疑問を取り上げ、宮崎による彼自身の「文化の場所」の創出について検証する。","subitem_description_type":"Other"}]},"item_2_description_12":{"attribute_name":"要旨（英）","attribute_value_mlt":[{"subitem_description":"Miyazaki Hayao's animated films have attracted global audiences since his acceptance of the Golden Bear Award (2002) and an Academy Award (2003) for Spirited Away (2002). Critic Otsuka Eiji, who discusses Miyazaki's Princess Mononoke (1997) within the framework of Joseph Campbell's standardized hero's journey or \"monomyth,\" maintains that Princess Mononoke (1997) rode the wave of media globalization mainly due to the collaboration with the Walt Disney Company. He also argues that this is significant because Miyazaki eventually changed his narrative structure to follow the basic pattern of the mythological adventure of a hero of the Star Wars / Campbell type: separation-initiation-return. However, Princess Mononoke has several structural variants in tis narrative, one of which is the pervasive maternal elements.\nSeeing the body as a symbol of society, the cultural anthropologist Mary Douglas writes, \"the powers and dangers credited to social structure are reproduced in small on the human body.\" My paper focuses on the representations of the body in Miyazaki's Princess Mononoke, Spirited Away, and Ponyo on the Cliff by the sea, and discusses how the various bodies and their womb-like \"vessels\" that nutrure and recreate them represent symbolic social relations.\nSignificantly, Miyazaki's animations have intertextuality with various pre-texts including a French fairy tale \"Beauty and the Beast,\" Ursula K. Le Guin's Earthsea books, Christian Andersen's \"Little Mermaid,\" \"Snow Queen,\" and a Japanese folk tale \"Anchin and Kiyohime,\" which share a similar plot structure and characters with Miyazaki's films. Additionally, the films are set in familiar Japanese locations that evoke nostalgia in Japanese audience.\nMiyazaki's work seems to be globally circulated in Disney's distribution of his films. Is this just for boosting the sales? This paper tackles this question from a post-colonial perspective examines Miyazaki's contribution to creating the \"location of culture\" in his animations.","subitem_description_type":"Other"}]},"item_2_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.18878/00002015","subitem_identifier_reg_type":"JaLC"}]},"item_2_source_id_13":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AN00085725","subitem_source_identifier_type":"NCID"}]},"item_2_text_9":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_value":"神戸女学院大学文学部英文学科(元)"}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2013-12-01"}],"displaytype":"detail","filename":"KJ00008968779.pdf","filesize":[{"value":"846.6 kB"}],"format":"application/pdf","license_note":"神戸女学院大学研究所","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"KJ00008968779","url":"https://kobe-c.repo.nii.ac.jp/record/2054/files/KJ00008968779.pdf"},"version_id":"e05cc330-a3ae-4f6a-9109-bb0c3ae7994f"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"宮崎駿","subitem_subject_scheme":"Other"},{"subitem_subject":"グローバリゼーション","subitem_subject_scheme":"Other"},{"subitem_subject":"身体","subitem_subject_scheme":"Other"},{"subitem_subject":"母性的場所","subitem_subject_scheme":"Other"},{"subitem_subject":"ポストコロニアリズム","subitem_subject_scheme":"Other"},{"subitem_subject":"Miyazaki Hayao","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Globalization","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Body","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Maternal Place","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Postcolonialism","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"eng"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"宮崎駿のアニメ映画はメディア・グローバリゼーションの波に乗っているのか","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"宮崎駿のアニメ映画はメディア・グローバリゼーションの波に乗っているのか"},{"subitem_title":"Are Miyazaki Hayao's Animations on the Waves of Media Globalization?","subitem_title_language":"en"}]},"item_type_id":"2","owner":"3","path":["271"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-12-01"},"publish_date":"2013-12-01","publish_status":"0","recid":"2054","relation_version_is_last":true,"title":["宮崎駿のアニメ映画はメディア・グローバリゼーションの波に乗っているのか"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-06-19T11:30:45.801017+00:00"}