@article{oai:kobe-c.repo.nii.ac.jp:00002261,
 author = {浜下, 昌宏 and HAMASHITA, Masahiro},
 journal = {女性学評論, Women's studies forum},
 month = {Mar},
 note = {P(論文), Miyazawa Kenji's last poems were written in literary and highly elaborate language. Why did he stick to literary language and elaborate style towards the end of his life? As an approach to this question,I will compare his earlier poems in colloquial,informal style with these elaborate ones,focusing on those with a theme of womanhood. I find that the latter poems in literary style are generally shorter than those in colloquial style. The latter poems are mostly produced through abstraction from the earlier concrete poems. As a result of abstraction,he was successful in presenting more suggestive poems,for the images of woman are almostalways turned into archetypal images rather than mere generalisations or universalisations of womanhood. Although Kenji's intention sometimes seems ambiguous in the latter poems,they are ingenious enough to convey deeper implications to the readers who exercise their imagination,sensibility and sympathy.},
 pages = {157--182},
 title = {賢治と女性(3) - 文語詩に見る<女たち>への眼差し-},
 volume = {14},
 year = {2000},
 yomi = {ハマシタ, マサヒロ}
}