@article{oai:kobe-c.repo.nii.ac.jp:00002386,
 author = {上野, 輝将 and UENO, Terumasa},
 journal = {女性学評論, Women's studies forum},
 month = {Mar},
 note = {P(論文), In 2003, Korean TV Drama Winter Sonata made a big hit in Japan, especially with middle-aged women. The audience were fascinated by a feeling of first love, beautiful music and enchanting scenes, a sense of cosmopolitanism, and the actor Yonsama. In contrast, many critics argue that the heroine Yujin is a woman of indecisive and selfish personality. Is this true? A close analysis of the scenario will prove it otherwise. It is that Yujin is portrayed as an independent and altruistic woman. This is why she goes through a psychological conflict, torn with anguish between two men. This is also the case with the hero Minyon=Chyunsan, who is distressed about his identity and altruism. Thus the story of ups and downs has attracted so many TV fans. Seen from a viewpoint of the relationship between the conservative and the progressive, this drama is produced under some influence of Korean feminism. It seems that this has made Winter Sonata more than a simple melodrama. The difference of opinion between the scenario writers (two young women) and the director, however, have kept the drama going within a moderate range of feministic influence. In consequence, this has led Winter Sonata to achieve even a greater success in Japan.},
 pages = {1--48},
 title = {「冬のソナタ」論 : その「保守性」と「革新性」をめぐって(「ジェンダー」再考)},
 volume = {21},
 year = {2007},
 yomi = {ウエノ, テルマサ}
}