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建礼門院右京大夫の詠作手法 : 表現摂取という視点から
https://doi.org/10.18878/00001740
https://doi.org/10.18878/0000174053977cd7-0b0e-4e63-a214-809cc6425efd
名前 / ファイル | ライセンス | アクション |
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神戸女学院大学研究所
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Item type | 紀要論文(ELS) / Departmental Bulletin Paper(1) | |||||
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公開日 | 2005-12-20 | |||||
タイトル | ||||||
タイトル | 建礼門院右京大夫の詠作手法 : 表現摂取という視点から | |||||
タイトル | ||||||
タイトル | Kenreimonin-Ukyonodaibu's Poetic Technique : From the Perspective of Representational Tracing | |||||
言語 | en | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.18878/00001740 | |||||
ID登録タイプ | JaLC | |||||
ページ属性 | ||||||
内容記述タイプ | Other | |||||
内容記述 | P(論文) | |||||
著者名(日) |
藏中, さやか
× 藏中, さやか |
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著者名(英) |
KURANAKA, Sayaka
× KURANAKA, Sayaka |
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著者所属(日) | ||||||
値 | 神戸女学院大学文学部 | |||||
要旨(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | This paper discusses representational characteristics of Ukyonodaibu's, among her Wakas in The Collection of Kenreimonin-Ukyonodaibu, by pointing out and investigating into the representational similarity to the preceding pieces of Waka. As for the Wakas for which it is possible to indicate the latest limit of the period when they are composed, the meaning of their position in the Collection is closely examined. As a result, it can be suggested that these Wakas are added to the volume later as the form of the Collection are properly arranged. The groups of Daiei-ka and Tanabata-ka are individually analyzed so that it is clarified that each is constructed with the lucid consciousness of the orderly structure. Many Wakas, whose representation is literally traced from the preceding ones, are included in the volume. The fact that the number of such pieces are much more than ever identified is an important key to re-evaluate Ukyonodaibu's reputation as a poet of her time. | |||||
雑誌書誌ID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN00085725 | |||||
書誌情報 |
神戸女学院大学論集 en : KOBE COLLEGE STUDIES 巻 52, 号 2, p. A1-A18, 発行日 2005-12-20 |