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ジョン・ドス・パソスの『マンハッタン乗換駅』における二つの歴史軸
https://doi.org/10.18878/00001912
https://doi.org/10.18878/0000191279c630ed-bf0a-47de-93cf-2dc91f75417a
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00007099729 (1.1 MB)
|
神戸女学院大学研究所
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| Item type | 紀要論文(ELS) / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2010-06-01 | |||||
| タイトル | ||||||
| タイトル | ジョン・ドス・パソスの『マンハッタン乗換駅』における二つの歴史軸 | |||||
| タイトル | ||||||
| タイトル | Two Axes of History in John Dos Passos' Manhattan Transfer | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ジョン・ドス・パソス | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | マンハッタン乗換駅 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 語りの技法 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 通時的歴史 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 共時的歴史 | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | John Dos Passos | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Manhattan Transfer | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | narrative technique | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | diachronic history | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | synchronic history | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.18878/00001912 | |||||
| ID登録タイプ | JaLC | |||||
| ページ属性 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | P(論文) | |||||
| 著者名(日） |
三杉, 圭子
× 三杉, 圭子 |
|||||
| 著者名(英) |
MISUGI, Keiko
× MISUGI, Keiko |
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| 著者所属（日） | ||||||
| 値 | 神戸女学院大学文学部総合文化学科 | |||||
| 要旨(日） | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | John Dos Passos represents New York of the early 20th century in his first major novel Manhattan Transfer (1925) . In the novel, he desplays innovative narrative techniques, where newspaper headings, phrases from songs and rhymes, and fragmentary sketches of lives of numerous city dwellers are collaged. At the same time, silent monologues and stream of consciousness techique are merged with external portrayals of people. Then, he integrates. two ideas of history in the novel, i.e., the diachronic and synchronic. With the sense of deachronic history, he gives the picture of New York as the modern metropolis, where expansion and progress operate as the landmark; and he adds the elements of synchronic history to his account of the city through numerous references to mythic texts such as the Bible, nursety rhymes, and the Declaration of Independence. Consequently, the tension between the deachronic and synchronic history becomes a creative vehicle to produce a contemporary yet perennial vision of the urban city. This paper examines the two aspects of history integrated in this novel and proves how they function to produce a vital portrait of New York. First, the diachronic dimension of the novel is investigated along with the motif of newspaper, which is the media most relevant and usefull to convey the development of linear history. Next, the synchronic aspects of the novel are analyzed, as the references to the Tower of Babel, the Deluge, Lady Godive, and American myths are explicated. Finally, as the tension between the two historical ideas functions as a source of creation for Dos Passos, the same principle is applied to examine the case of Jimmy Herf, to imply how the would-be artist in the novel mighty prepare himself of creativity. The integration of the diachronic and synchronic history is indicated as a valid method to grapple with the vast phenomena of the modern world. | |||||
| 雑誌書誌ID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN00085725 | |||||
| 書誌情報 |
神戸女学院大学論集 en : KOBE COLLEGE STUDIES 巻 57, 号 1, p. 111-124, 発行日 2010-06-30 |
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