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「理想化」と「女体」ー西洋美術から得たもの・見失ったもの〈特集 女性と身体〉
https://doi.org/10.18878/00002158
https://doi.org/10.18878/000021584d795a3d-34f6-4528-a60b-865c36c74d8c
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00000571199 (1.9 MB)
|
神戸女学院大学
女性学インスティチュート |
| Item type | 紀要論文(ELS) / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 1996-03-01 | |||||
| タイトル | ||||||
| タイトル | 「理想化」と「女体」ー西洋美術から得たもの・見失ったもの〈特集 女性と身体〉 | |||||
| タイトル | ||||||
| タイトル | Idealization and "nyotai" (the female body) : an aspect of Western art and Japanese art in terms of the female body | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.18878/00002158 | |||||
| ID登録タイプ | JaLC | |||||
| ページ属性 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | P(論文) | |||||
| 記事種別(日) | ||||||
| 値 | 特集 | |||||
| 記事種別(英) | ||||||
| 言語 | en | |||||
| 値 | Special Issue | |||||
| 論文名よみ | ||||||
| その他のタイトル | リソウカ ト ニョタイ セイヨウ ビジュツ カラ エタ モノ ミウシナッタ モノ トクシュウ ジョセイ ト カラダ | |||||
| 著者名(日） |
浜下, 昌宏
× 浜下, 昌宏 |
|||||
| 著者名(英) |
HAMASHITA, Masahiro
× HAMASHITA, Masahiro |
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| 著者所属（日） | ||||||
| 値 | 神戸女学院大学文学部総合文化学科(美学) | |||||
| 著者所属(英) | ||||||
| 言語 | en | |||||
| 値 | Professor of Kobe College,Intercultural Department(Aesthetics) | |||||
| 要旨（英） | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | The human body is in essence an organism which implies life, growth, existence, aging, sickness, death, etc., showing elemental aspects of being to man. In this sense the body is a whole rejecting any kind of analytic and semiological explanations. However, once seen in terms of shape or figure, it may naturally be reduced to a quantitative mass and calculable object. In the history of Western aesthetics there have been ideas to set a standard of beauty, the secular version of which is a so-called `beauty contest,'requiring competitors to keep a built-up body in a proportional balance. Ideal beauty or idealization can be traced back to Polykleitos, Vitruvius, Leonardo da Vinci, and others who eventually tried to draw an ideal human figure with "marble-like skin and unearthly proportion." In contrast, Japanese conceptions of art have never produced such a notion of idealization. The import of Western painting led to the emergence of Japanese followers of idealization such as Kuroda Seiki and others. Traditional Japanese art such as ukiyo-e prints only suggests a concept of typical expressions. Even in Western paintings in Japan, as time went on, we can see the tendency to depict women in a natural style, neglecting idealization. Japanese art has maintained the tradition not to separate the body and the emotion, the mind, etc. which the body comprises. In particular, the concept of "nyotai"(the female body) in the Noh play will clearly explain the Japanese idea fo the female body which always bases the body on how the mind works. | |||||
| 雑誌書誌ID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10066294 | |||||
| 書誌情報 |
女性学評論 en : Women's studies forum 巻 10, p. 27-45, 発行日 1996-03 |
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