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歌語「縹の帯」の変容
https://doi.org/10.18878/00002488
https://doi.org/10.18878/00002488391b430f-09cc-4803-b11f-3de62624af91
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00009771199 (1.0 MB)
|
神戸女学院大学
女性学インスティチュート |
| Item type | 紀要論文(ELS) / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2015-03-01 | |||||
| タイトル | ||||||
| タイトル | 歌語「縹の帯」の変容 | |||||
| タイトル | ||||||
| タイトル | The Transformation of Words in the Poem 'Hanada no obi' | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 平安 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 歌語 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 催馬楽 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 縹の帯 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 女性語 | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | the Heian era | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | poetry words | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Saibara | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Hanada no obi | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | female words | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.18878/00002488 | |||||
| ID登録タイプ | JaLC | |||||
| ページ属性 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | P(論文) | |||||
| 記事種別(日) | ||||||
| 値 | 論文 | |||||
| 記事種別(英) | ||||||
| 言語 | en | |||||
| 値 | Article | |||||
| 論文名よみ | ||||||
| その他のタイトル | カゴ「ハナダノオビ」ノヘンヨウ | |||||
| 著者名(日） |
藏中, さやか
× 藏中, さやか |
|||||
| 著者名(英) |
KURANAKA, Sayaka
× KURANAKA, Sayaka |
|||||
| 著者所属（日） | ||||||
| 値 | 神戸女学院大学文学部 | |||||
| 著者所属(英) | ||||||
| 言語 | en | |||||
| 値 | Department of Intercultural Studies, Kobe College | |||||
| 要旨(日） | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | I investigated `Hanada no obi', a poem with words generated partially from the lyrics of 'Saibara', which is a song in the Heian era, and its melody was made in line with the tunes of Gagaku.There have been preliminary studies which focused on and after the medieval period, but did not discuss in detail examples of their application in the central period of poem history. In this paper, I collected and analyzed examples of their application during the years 1000 -1200 to point out the changes, their background and the underlying reasons.At the beginning, the words implied a sense of difference between the sexes, and their usage is limited to situations where females give to males clothes and obis, and they were found in the waka from the former to the latter. This study, however, clarified that such tendencies disappeared by the end of the Heian era. | |||||
| 要旨（英） | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | I investigated `Hanada no obi', a poem with words generated partially from the lyrics of 'Saibara', which is a song in the Heian era, and its melody was made in line with the tunes of Gagaku.There have been preliminary studies which focused on and after the medieval period, but did not discuss in detail examples of their application in the central period of poem history. In this paper, I collected and analyzed examples of their application during the years 1000 -1200 to point out the changes, their background and the underlying reasons.At the beginning, the words implied a sense of difference between the sexes, and their usage is limited to situations where females give to males clothes and obis, and they were found in the waka from the former to the latter. This study, however, clarified that such tendencies disappeared by the end of the Heian era. | |||||
| 雑誌書誌ID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10066294 | |||||
| 書誌情報 |
女性学評論 en : Women's studies forum 巻 29, p. 135-155, 発行日 2015-03 |
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