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  1. 女性学評論
  2. 第23号 (2009)

旅する女性ピアニスト~小倉末子の朝鮮演奏旅行

https://doi.org/10.18878/00005620
https://doi.org/10.18878/00005620
a075c3c8-7228-48e8-9849-9badf8059263
名前 / ファイル ライセンス アクション
KJ00007676599.pdf KJ00007676599 (1.2 MB)
神戸女学院大学
女性学インスティチュート
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2020-01-15
タイトル
タイトル 旅する女性ピアニスト~小倉末子の朝鮮演奏旅行
タイトル
タイトル A Feminine Pianist on Tour : OGURA Suyeko on her Concert Trip to Keijo(Seoul), Korea in 1916
言語 en
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
ID登録
ID登録 10.18878/00005620
ID登録タイプ JaLC
著者 津上, 智実

× 津上, 智実

津上, 智実

ja-Kana ツガミ, モトミ

en TSUGAMI, Motomi

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著者所属
値 神戸女学院大学音楽学部
要旨(日)
内容記述タイプ Other
内容記述 This report is on the concert tour to Keijo(Seoul), Korea, in 1916 of the Japanese pianist OGURA Suyeko(1891-1944), one of the then leading Japanese pianists and of the earliest alumnae of the Music School of Kobe College. It also assesses the role of her German sister-in-low Maria OGURA, who took over her mother's place from her childhood and functioned as a guardian and manager to her total activity, escorting her on every trip and receiving guests and journalists. Concert tours became indispensable to female, as well as male, musicians from the 1820's in Europe. Although the development of railways from 1830's made them more practicable, there remained special difficulties for traveling women musicians, first, heaviness of the piano and the harp, the instruments allotted to women, and the ′common sense′, according to which women should be escorted by men or at least by elder females. Her visit to Keijo was reported in twenty-five articles in the Keijo Nippo, a daily newspaper written in Japanese, from November 30th to December 28th, with six photos in total. These articles tell us that she stayed there for a week from December 16th to 23rd, giving two charity concerts on 19th and 21st and a performance in the Court of the Ri Dynasty on 22nd. The two public concerts were well received and successful with large audiences of about three hundred and seven hundred each, including European people and musicians. It was also unforgettable to Suyeko herself. In addition, the interviews with Suyeko, Maria, and with Mr.Smith, a missionary and a professional singer from Chicago, give us vivid images of her life and career: her father's death when she was five years old; how she became interested in piano when she was a kindergartner; her study in Japan, Berlin and the United States; Maria's worry about Suyeko's marriage in future.
書誌情報 神戸女学院大学女性学評論
en : Women's Studies Forum

巻 23, p. 67-91, 発行日 2009-03
雑誌書誌ID
値 AN10066294
出版者
出版者 神戸女学院大学女性学インスティチュート
著者版フラグ
値 publisher
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