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婦人グラフ雑誌『淑女画報』(1912～1923)に見るピアニスト小倉末子と閨秀音楽家たち
https://doi.org/10.18878/00001968
https://doi.org/10.18878/00001968c878d845-8c1f-48b9-a401-929e49393c6c
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00008243919 (1.3 MB)
|
神戸女学院大学研究所
|
| Item type | 紀要論文(ELS) / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2012-06-01 | |||||
| タイトル | ||||||
| タイトル | 婦人グラフ雑誌『淑女画報』(1912～1923)に見るピアニスト小倉末子と閨秀音楽家たち | |||||
| タイトル | ||||||
| タイトル | Pianist OGURA Suye and Women Musicians Reported in a Women's Graphic Magazine Syukujo Gahou(1912-1923) | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 淑女画報 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 小倉末子 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ピアニスト | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 女性音楽家 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 大正期 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 婦人雑誌 | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Syukujo Gahou | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | OGURA Suye | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | pianist | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | women musicians | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Taisho period | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | women's magazine | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.18878/00001968 | |||||
| ID登録タイプ | JaLC | |||||
| ページ属性 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | P(論文) | |||||
| 論文名よみ | ||||||
| その他のタイトル | フジングラフザッシ『シュクジョガホウ』(1912～1923)ニミルピアニストオグラスエコトケイシュウオンガクカタチ | |||||
| 著者名(日） |
津上, 智実
× 津上, 智実 |
|||||
| 著者名(英) |
TSUGAMI, Motomi
× TSUGAMI, Motomi |
|||||
| 著者所属（日） | ||||||
| 値 | 神戸女学院大学音楽学部音楽学科 | |||||
| 要旨(日） | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | This paper reports the result of a thorough examination of a women's graphic magazine, named Syukujo Gahou,published from the year 1912 until 1923 in Tokyo, in order to make clear how pianist OGURA Suye(1891-1944) and the other female musicians were represented in its gravured and articles, and further to understand what position western instruments, namely the piano, had in female education in Meiji era Japan. Pianist OGURA Suye appeared seven times in the gravure pages, once in an illustration, once in an article and once as a theme for poetry. Her appearance's frequency is second only to that of prima donna, MIURA Tamaki, as the head of Japanese female instrumental musicians. Female educations in Meiji era Japan made much of flower arrangement, tea ceremony, and koto playing, but gradually also of western instruments such as violin and piano. Its shiftfrom Japanese traditional koto to the new western piano happened from the end of the 1910s until the year 1920. The Piano Club of Osaka, established at the beginning of the year 1918, showed active movements in Syukujo Gahou in the years 1920 and 1921. It was that time that piano was becoming more and more popular among Japanese women. A phrase in the volume of September 1920 of this magazine reports that every Mary, Jane,and Laura was hooking up to the piano. It was just the time when OGURA Suye flourished as pianist in many concerts including at Osaka. The ezistence of OGURA and the other female musicians of that time could have encouraged the younger females in their developments as educated ladies. | |||||
| 雑誌書誌ID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN00085725 | |||||
| 書誌情報 |
神戸女学院大学論集 en : KOBE COLLEGE STUDIES 巻 59, 号 1, p. 121-132, 発行日 2012-06-20 |
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