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アイテム
ウースーンとエニサルモンー ブレイク の 相反する(女)性イメージ について
https://doi.org/10.18878/00002162
https://doi.org/10.18878/000021624fc6f5f9-359e-4e5a-a338-2ff38246dd62
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00000571203 (857.0 kB)
|
神戸女学院大学
女性学インスティチュート |
| Item type | 紀要論文(ELS) / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 1996-03-01 | |||||
| タイトル | ||||||
| タイトル | ウースーンとエニサルモンー ブレイク の 相反する(女)性イメージ について | |||||
| タイトル | ||||||
| タイトル | Oothoon and Enitharmon : Blake's antithetical images of female/sexuality | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.18878/00002162 | |||||
| ID登録タイプ | JaLC | |||||
| ページ属性 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | P(論文) | |||||
| 記事種別(日) | ||||||
| 値 | 論文 | |||||
| 記事種別(英) | ||||||
| 言語 | en | |||||
| 値 | Article | |||||
| 論文名よみ | ||||||
| その他のタイトル | ウースーン ト エニサルモン ブレイク ノ アイハンスル ジョセイ イメージ ニ ツイテ | |||||
| 著者名(日） |
渡部, 充
× 渡部, 充 |
|||||
| 著者名(英) |
Watanabe, Mitsuru
× Watanabe, Mitsuru |
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| 著者所属（日） | ||||||
| 値 | 神戸女学院大学文学部英文学科(イギリス文学) | |||||
| 著者所属(英) | ||||||
| 言語 | en | |||||
| 値 | Associate Professor of Kobe College,English Department(English Literature) | |||||
| 要旨（英） | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Many critics have pointed out Blake's sexism or "anti-feminism,"not only in such a later work as Jerusalem but also in his early songs from Poetical Sketches. Indeed, his writings continue to show strongly antithetical images of female and sexuality. For example, Oothoon in Visions of Daughters of Albion and Enitharmon in Europe stand in such a sharp contrast that it seems almost impossible to contain the both in certain consistent plain of thought. On one hand, sexuality for Blake is a door to a regenerated and hightened mode of being. Emancipation of "false"sexual desire could and should be a revolt against epistemological, political, and economic oppressions of the eighteenth-century:it is a revolution par excellence. On the other hand, sexuality under menacing female dominance is an entrapment which leads to a vicious circle of sexual pleasure as sin. It represents both the cause and the result of human enslavement which had lasted 1800 years. As a reading of Visions(Oothoon) and Europe(Enitharmon), this essay tries to sketch the shift in Blake's attitudes toward woman. In spite of their apparent opposition in tones and imagery, Blake in Europe does not necessarily abandon the revelational potential of human sexuality. As mirror images these works show two sides of the same coin: enslaved sexuality under oppression. The problem, however, lies in the fact that he came to attribute this enslavement more and more to woman, real or mythological. Behind the Father(Urizen)'s oppression, he seems to see more threatening dominance of the Mother(Enitharmon). Thus, his later works will focus on the "Intellectual War"of Blake-Los against the "Female Will."As the focus of his poetry shifted from "the strife of blood"of,more or less, real world in which the poet struggled, to the strife of artistic creation, his attitude toward woman changed considerably, or vice versa. His poetry was "gendered" in a misoginistic way when it was mythologized. | |||||
| 雑誌書誌ID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10066294 | |||||
| 書誌情報 |
女性学評論 en : Women's studies forum 巻 10, p. 99-119, 発行日 1996-03 |
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