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「冬のソナタ」論 : その「保守性」と「革新性」をめぐって(「ジェンダー」再考)
https://doi.org/10.18878/00002347
https://doi.org/10.18878/0000234780d6c667-55dd-4033-8d36-5c7c7c6c52c0
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00004727258.pdf (2.3 MB)
|
神戸女学院大学
女性学インスティチュート |
| Item type | 紀要論文(ELS) / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2007-03-31 | |||||
| タイトル | ||||||
| タイトル | 「冬のソナタ」論 : その「保守性」と「革新性」をめぐって(「ジェンダー」再考) | |||||
| タイトル | ||||||
| タイトル | An Analytic Note on Winter Sonata : From a Viewpoint of the Relationship between the Conservative and the Progressive(To Reconsider "Gender") | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.18878/00002347 | |||||
| ID登録タイプ | JaLC | |||||
| ページ属性 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | P(論文) | |||||
| 記事種別(日) | ||||||
| 値 | 特集 | |||||
| 記事種別(英) | ||||||
| 言語 | en | |||||
| 値 | Special Issue | |||||
| 論文名よみ | ||||||
| その他のタイトル | フユ ノ ソナタ ロン ソノ ホシュセイ ト カクシンセイ ヲ メグッテ ジェンダー サイコウ | |||||
| 著者名(日） |
上野, 輝将
× 上野, 輝将 |
|||||
| 著者名(英) |
UENO, Terumasa
× UENO, Terumasa |
|||||
| 著者所属（日） | ||||||
| 値 | 神戸女学院大学文学部総合文化学科日本史 | |||||
| 著者所属(英) | ||||||
| 言語 | en | |||||
| 値 | Kobe College, Department of Intercultural Studies(Japanese History) | |||||
| 要旨（英） | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | In 2003, Korean TV Drama Winter Sonata made a big hit in Japan, especially with middle-aged women. The audience were fascinated by a feeling of first love, beautiful music and enchanting scenes, a sense of cosmopolitanism, and the actor Yonsama. In contrast, many critics argue that the heroine Yujin is a woman of indecisive and selfish personality. Is this true? A close analysis of the scenario will prove it otherwise. It is that Yujin is portrayed as an independent and altruistic woman. This is why she goes through a psychological conflict, torn with anguish between two men. This is also the case with the hero Minyon=Chyunsan, who is distressed about his identity and altruism. Thus the story of ups and downs has attracted so many TV fans. Seen from a viewpoint of the relationship between the conservative and the progressive, this drama is produced under some influence of Korean feminism. It seems that this has made Winter Sonata more than a simple melodrama. The difference of opinion between the scenario writers (two young women) and the director, however, have kept the drama going within a moderate range of feministic influence. In consequence, this has led Winter Sonata to achieve even a greater success in Japan. | |||||
| 雑誌書誌ID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10066294 | |||||
| 書誌情報 |
女性学評論 en : Women's studies forum 巻 21, p. 1-48, 発行日 2007-03-31 |
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