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1930～1940年代の朝鮮半島における「女優」という職業について -映画の製作と興行の発展を背景に-
https://doi.org/10.18878/00002413
https://doi.org/10.18878/00002413659ddb3c-ded5-4b9e-8277-a63ae36fbac7
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00007677699 (1.8 MB)
|
神戸女学院大学
女性学インスティチュート |
| Item type | 紀要論文(ELS) / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2011-03-01 | |||||
| タイトル | ||||||
| タイトル | 1930～1940年代の朝鮮半島における「女優」という職業について -映画の製作と興行の発展を背景に- | |||||
| タイトル | ||||||
| タイトル | The Meaning of the Actress in Modern Korea: The Case of Development of Movies between the 1930s and the 1940s | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.18878/00002413 | |||||
| ID登録タイプ | JaLC | |||||
| ページ属性 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | P(論文) | |||||
| 記事種別(日) | ||||||
| 値 | 論文 | |||||
| 記事種別(英) | ||||||
| 言語 | en | |||||
| 値 | Article | |||||
| 論文名よみ | ||||||
| その他のタイトル | 1930カラ1940ネンダイ ノ チョウセン ハントウ ニ オケル ジョユウ ト イウ ショクギョウ ニ ツイテ エイガ ノ サクセイ ト コウギョウ ノ ハッテン オ ハイケイ ニ | |||||
| 著者名(日） |
井原, 麗奈
× 井原, 麗奈 |
|||||
| 著者名(英) |
IHARA, Rena
× IHARA, Rena |
|||||
| 著者所属（日） | ||||||
| 値 | 神戸女学院大学大学院文学研究科比較文化学専攻博士後期課程 | |||||
| 著者所属(英) | ||||||
| 言語 | en | |||||
| 値 | Graduate School of Letters, Intercultural Studies Major(Doctor's Program), Kobe College(Korean Modern History,Arts Management) | |||||
| 要旨（英） | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | In this thesis the development of movies, and the meaning of the profession 'Actress' in the 1930's and 40's are discussed. During this period, Korea was under the colonial rule of Japan, which restricted various activities of movies. However, despite such difficult situations, many outstanding screenplays were produced, and actresses splendidly played their roles. At the same time, they symbolized ordinary women's agonies by playing the roles of modern women. The social roles of the actresses in Korea during this era and how they were perceived by Korean modern society are described. In modern Korea, women were struggling not only with discrimination against women (originating in Confucianism), but also with racial discrimination (originating in colonialism). However,women's advance into Korean society started with its modernization during this era. Therefore, the relations between this phenomenon, and the roles of actresses, and a Korean modernity distorted by colonialism should be examined. | |||||
| 雑誌書誌ID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10066294 | |||||
| 書誌情報 |
女性学評論 en : Women's studies forum 巻 25, p. 25-52, 発行日 2011-03 |
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