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ヴィクトリア朝理想の女性像へのジョージ・エリオットの挑戦 -『フロス河の水車場』のマギーの場合-
https://doi.org/10.18878/00002418
https://doi.org/10.18878/00002418eea19675-336f-48a5-9ee4-3cc43091e518
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00007677899.pdf (664.0 kB)
|
神戸女学院大学
女性学インスティチュート |
| Item type | 紀要論文(ELS) / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2011-03-01 | |||||
| タイトル | ||||||
| タイトル | ヴィクトリア朝理想の女性像へのジョージ・エリオットの挑戦 -『フロス河の水車場』のマギーの場合- | |||||
| タイトル | ||||||
| タイトル | George Eliot's Resistance to the Victorians' Ideal Woman: Maggie Tulliver in The Mill on the Floss | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.18878/00002418 | |||||
| ID登録タイプ | JaLC | |||||
| ページ属性 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | P(論文) | |||||
| 記事種別(日) | ||||||
| 値 | 論文 | |||||
| 記事種別(英) | ||||||
| 言語 | en | |||||
| 値 | Article | |||||
| 論文名よみ | ||||||
| その他のタイトル | ヴィクトリア チョウ リソウ ノ ジョセイ ゾウ ヘ ノ ジョージ エリオット ノ チョウセン フロスコウ ノ スイシャ ジョウ ノ マギー ノ バアイ | |||||
| 著者名(日） |
吉村, エリ
× 吉村, エリ |
|||||
| 著者名(英) |
YOSHIMURA, Eri
× YOSHIMURA, Eri |
|||||
| 著者所属（日） | ||||||
| 値 | 神戸女学院大学非常勤 | |||||
| 著者所属(英) | ||||||
| 言語 | en | |||||
| 値 | Part-time Lecturer, Kobe College | |||||
| 要旨（英） | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | George Eliot was a woman writer active in the Victorian period when women writers were not favorably accepted. So Eliot masked herself as a male in order to become a novelist. The Mill on the Floss is often regarded as an autobiographical novel in which readers can appreciate something of Eliot's own experience through its heroine, Maggie Tulliver. Many critics have pointed out that Maggie finally returns to "the past represented by her brother Tom because Tom symbolizes the patriarchal system. However, feminist criticism insists that Maggie takes "unconscious" revenge on Tom at the end of the narrative, through causing their accidental deaths by drowning. The purpose of this paper is to show that this novel can be read as Maggie's rebellion against Victorian society by comparing Maggie with the idealized images of Victorian womanhood. First, I examine how Maggie satisfies her thirst for knowledge which was restricted for women through her relationship with Philip Wakem. Second, I analyze Maggie's defiance toward puritanical aspirations such as innocence and the repression of sexual passion. Maggie expresses her sexual passion when she falls in love with Stephen Guest, the fiance of her cousin Lucy, and she is labeled a "fallen woman" due to her escapade with Stephen. Third, I discuss Maggie's refusal to marry even though marriage was considered the safest way for women to choose at that time. Stephen proposes to Maggie on their escapade, but she rejects him searching instead for a life of independence. In the last chapter, Maggie received the letter from Stephen who still cannot give up marrying her and again she suffers ,In the middle of her suffering, she is killed by the sudden flood. This conclusion implies that she struggles with Victorian convention to the end. The Mill on the Floss can be read as the novel which Eliot offers a challenge to the ideal images of Victorian woman through the extraordinary behaviour of the heroine,Maggie Tulliver. | |||||
| 雑誌書誌ID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10066294 | |||||
| 書誌情報 |
女性学評論 en : Women's studies forum 巻 25, p. 147-162, 発行日 2011-03 |
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